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Award-winning writer Kathy Widenhouse has helped hundreds of nonprofits and writers produce successful content , with 750K+ views for her writing tutorials. She is the author of 9 books. See more of Kathy’s content here.
Updated 3.3.26
The difference between a news story and a feature story can feel blurry.
But they are not the same animal. And plenty of writers confuse them.
That’s a no-no.
Both news articles and feature articles are standard fare in magazines, newspapers, newsletters and blogs. But you don’t want to deliver a full-fledged feature when your client, an editor, or a publication asks for a news story. And vice versa.
Understanding the difference affects how you research, structure, pitch, write, revise, and even how you get paid. A good set of article writing tips must simplify the distinctions.
And as you may know, I’m all about simplifying the writing process.
So here’s the gist:
Let’s break it down in a way that actually helps you write both well.
A news story reports timely, factual information about something that just happened—or is about to happen. Think:
Your goal when writing a news story is simple: inform quickly and clearly.
Most news stories follow the inverted pyramid format. The most important information appears first, followed by supporting details. Background information brings up the rear.
A news story’s first paragraph (the “lede”) answers Who, What, When, Where, Why, and How. For instance ....
The Charlotte City Council voted 6–3 Tuesday night to approve a new zoning ordinance that will allow duplexes in previously single-family neighborhoods.
Notice what that does. There’s no suspense … no storytelling. Just the facts. With a news story, readers need to know what happened—fast.
News stories typically appear in:
But news stories also appear in:
If it’s timely and factual, it’s news—regardless of platform.
If you’re writing news, think like a reporter—not a storyteller.
Step 1: Gather facts
Step 2: Write a strong lede
Get to the point immediately. Your first paragraph should summarize the most critical information. Avoid cute openings, long setup paragraphs, and vague beginnings. Editors want clarity, not suspense.
Step 3: Organize by importance
After your lede, add supporting facts and include relevant quotes to reinforce the gist of your opening paragraph. You can also provide additional context for the events. Finish up with background detail.
Each paragraph should become progressively less essential. That way, if an editor cuts from the bottom, the story still works.
Step 4: Keep your voice out of it
Avoid adjectives like shocking, wonderful, or devastating. Let the facts and quotes do the work.
“I don’t want to write dry, boring articles.” You don’t need to. Use these tips to write news stories that impact readers.
A feature story explores, explains, or humanizes a topic. It is less about breaking news and more about meaning, context, or experience. A feature story may be …
Your goal when writing a feature story isn’t just to inform. It’s to engage, illuminate, or inspire the reader.
Features answer deeper questions than a news story's simple Who, What, Where, When, Why, How. Questions like ...
Determined by the topic. Features follow endless formats from profiles to narratives, interviews, essays, exposés, how-to's, columns, and reviews.
Features also work beautifully for:
If you write for businesses or nonprofits, feature-style storytelling can be incredibly powerful.
Feature writing requires a different mindset. Here, you are not simply regurgitating facts. You are telling a story.
Step 1: Find the human angle. Ask …
Features often begin with a moment, a quote, a scene, or a person,such as …
At 5:30 every morning, Maria Alvarez unlocks the doors to her bakery before the sun rises over Florence, South Carolina. By 7 a.m., the smell of cinnamon and yeast fills the block.
See the difference? A news story reports what happened. A feature story puts you there.
Step 2: Choose a structure. Feature structures vary. Experiment and choose which fits your angle, whether it’s:
Unlike news, you don’t have to put everything important first. You can build tension. You can withhold certain information for effect.
Step 3: Use details purposefully. Features allow you to include sensory detail – what things look like, smell like, taste like, sound like – as you set the scene and write dialogue. Be intentional about what you include. If a detail doesn’t help advance your point, leave it out.
Step 4: Provide an insight. A good feature does more than tell a story. It explains why the reader should care. Use the close of your feature to demonstrate the larger issue – the point you want your reader to take away.
Who is your reader? Speak directly to that individual and connect with him. Then write your feature so that it’s relevant to him. You’re not just writing a nice little tale about a fun person or event. What’s the takeaway – the lesson or point – that your particular reader can gain from your feature?
To do that, you can …
Absolutely. In fact, learning both skills makes you stronger.
News writing teaches you discipline and structure, since you have only so much space. Meanwhile, you must be accurate with your reporting, or you won’t be asked to write again. And short timelines require you to write efficiently.
And to pull off feature articles, you need to understand narrative craft (fancy lingo for “storytelling.”) How to pace your content to make a point. And most of all – how to speak directly to a specific reader to engage both his heart and his mind in your article.
Try this exercise.
Take the same topic and write:
You’ll quickly feel the difference in structure, tone, and mindset. And that awareness alone will put you ahead of other writers and help you develop your skills.
Because once you understand why each type exists—and what readers expect—you stop guessing.
You start writing with purpose.
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